Subscribe to
This Blog by Email

Your email:

Follow CMH

As seen on TripAdvisor...

"Simply put, extraordinary trip. These guys are total pros, amazing pre-trip customer service and planning. Then you get there, and WOW!.."  Read more about Canadian Mountain Holidays on TripAdvisor

Search This Blog:

Loading

The Adventure

Current Articles | RSS Feed RSS Feed

5 Secrets to Great Wilderness Pics from a Photography Workshop Pro

  
  
  

Guest post by John E. Marriott, Professional Photographer and host of CMH's Bugaboo Photography Workshop September 7-10, 2010.

  1. Badger Pass, Banff National Park by John E. MarriottBring a camera along.  As ridiculous as it sounds, it's a key piece of advice for anyone wanting to capture great wilderness images.  Roadside attractions are a dime a dozen, but what really separates a great landscape photographer from the pack is the need to get off the beaten track and get stunning images of hard-to-get-to locations.  And while camera gear is heavy, I make sure I pack all the important photo equipment first on my backpacking excursions (Canon EOS 5D II body, 17-40mm lens, 70-200mm lens, and an assortment of filters) and skimp on other less critical stuff (like food, shelter and clothing).
  2. And don't forget a tripod.  Twenty years ago bringing a tripod along was a serious addition to your backpacking gear, adding up to ten torturous pounds to your pack.  Today, however, new carbon fibre tripods and ballheads mean that adding a tripod to your backpack can cost you less than 3 extra pounds (my backpacking tripod, a Velbon Sherpa Pro with an Acratech ballhead, is up to 5 feet tall, yet weighs in at a paltry 3.1 pounds).  A tripod is key to allowing you to use all that camera gear you carted in with you, taking advantage of the golden hours at sunrise and sunset and using filters if you choose to, something that is much harder to do without a tripod being handy.
  3. Ramparts, Amethyst Lakes, Jasper National Park, John E. MarriottScout it out.  If you arrive at a backcountry campground before sunset, quickly scout out the locations that may work for a great sunset image or for the next morning's sunrise shoot.  Try to avoid scrambling around at the last second ‘chasing the light'.  Watch for interesting foregrounds that may add to your images of those ‘trophy' landscapes.
  4. Ignore the weather forecast.  Many of my most dramatic backcountry images are from freak snowstorms or giant storm clouds.  So while I don't recommend you venture out when the Storm of '52 blows in, I do recommend you still get out there when it looks like a few of your days may be spotty for weather.  Blue sky days are often the most dull in terms of photography and lighting.
  5. Jumbo Pass, Purcell Mountains, John E. MarriottTake a polarizer along.  A polarizing filter can be your best friend in the backcountry, particularly a warming polarizer which can not only cut the glare of reflections and intensify your colours, but also add an overall vibrancy to your images.  Yes, you'll need to haul out your tripod (see #2), but the effects of using a polarizer in some of your wilderness scenes will give you that extra bit of pizzazz in the finished product, wowing your friends and family alike.
What tips do you have and what equipment do you never leave home without?

John E. Marriott is a professional nature photographer based in Canmore, Alberta, Canada.  If you'd like to learn more from John, join CMH Summer Adventures in the Bugaboos from September 7-10th this year.

Photos by John E. Marriott:

1. Badger Pass, Banff National Park

2. Ramparts, Amethyst Lake, Jasper National Park

3. Glacier Lillies at Jumbo Pass, Purcell Mountains

Comments

It looks like Mr. Marriott is also a fan of graduated filters, an ingenious system that darkens a part of the frame - sort of like putting sunglasses over the bright part of your photo. See here: http://www.great-landscape-photography.com/graduated-filters.html  
In this case, I'm guessing a graduated filter was used on the flower photo and the reflection photo. Some modern imaging software has a post production equivalent of a graduated filter, but it's always best to get it right before you open Photoshop.
Posted @ Tuesday, June 15, 2010 3:00 PM by Topher Donahue
Comments have been closed for this article.